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Werewolf
Trailer
The movie revolves around two, Blaise and Nessa who their getaway dreams are kept on a suffocatingly short leash. They becomes outcasts from the people. Everdy day they try to get their own food or drink but there is no life to those you calling.
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Critics Of "Werewolf"
National Post
June 02, 2017 McKenzie doesn't stoop to deliver a pat happy ending, and even the moderately upbeat final scene features an oddly discordant note in the score that suggests not all is well.
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NOW Toronto
June 07, 2017 Ashley McKenzie's Werewolf is one of the strongest Canadian films you'll see this year.
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New York Times
February 28, 2018 The performers don't seem like they're acting at all, which contributes to the film's unsettling power.
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Globe and Mail
June 02, 2017 In plumbing the pitch black, Werewolf offers the distinct hope of a brighter future - at least, a brighter future for Canadian cinema.
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New Yorker
February 26, 2018 Working with the cinematographer Scott Moore, McKenzie frames her characters with a radical obliqueness, visually conveying their wounded tenderness and stifled fury and evoking mortal struggles with minuscule gestures.
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Slant Magazine
February 25, 2018 The film achieves a strange irony, as its formal abstractions serve to heighten our emotional connection to the characters.
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AV Club
February 27, 2018 Werewolf unmistakably announces McKenzie as a potentially significant new voice, gifted enough to make well-trod ground seem newly landscaped.
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Chicago Reader
March 02, 2018 Her characters are a little too blank to sustain interest through an entire film, but this modest indie generates a haunting mood of 21st-century despair.
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Village Voice
February 27, 2018 Its story may be thin, its characters not particularly original, but McKenzie's use of cinematic language is savvy and novel, finding complexity where others might find only emptiness.
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Cinema Scope
September 28, 2017 The finely gradated interactions between the protagonists and different representatives of various institutional establishments place empathy and ambivalence side by side.
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Film Comment Magazine
March 08, 2018 Scene by scene, what McKenzie is after is capturing the process of a young woman walling herself off from sentimental appeal in order to save her own life, steeling herself for the long walk away from the wreck of her man.
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Annabelle: Creation
IMDb: 7
2017
109 min
Country: United States
Genre: Thriller, Horror, Mystery
Twelve years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into ...